The Musicians
DAVID THOMPSON
In addition to writing all the
material on my albums and producing the projects, I also play bass guitar, acoustic
rhythm guitar on most of the tracks and sing the lead vocal on about 70% of the songs. I
started the first album back in Oct. of 1995 with the bass line for the song "Lookin'
For My Baby" (which has been used 4 times in the daytime drama, 'All My
Children'). Ten months later I had written and recorded a CD of 12 songs from rock
to funk to R&B flavored ballads to romantic pop. With themes as diverse as everyday
relationships and regrets to science fiction mystery to blues to out on the road, good
time rock and roll this album covers a wide range of interests and emotions. The second album, "Ride On", took a bit
longer to complete, 16 songs in about 3 1/2 years, but was equally fun to record. Many
songs were from personal experience and I wish to thank two beautiful ladies, Jan and
Shirley, who have passed in and out of my life several times and left me with the
inspiration for many of these songs. Again, there is a wide variety of styles and themes
including two country tunes, another science fiction adventure song and a lot of rock and
blues. I also threw in some romantic ballads, one funk tune and a song about a pyromaniac,
(must have been something I ate before bedtime). My 3rd CD
'Any Questions?!!' was written and recorded with
songs that are, again, drawn from real life. As I like to say, 'All you
have to do is look around and pay attention' (Thank you-Shirley). Two of the songs
were used in the
show we did when we opened for 'The Motor City Madman' Ted Nugent, August 4,
2003. The new CD was released when we opened for REO Speedwagan
Sept 18,04, as part of our CD release party. I also played locally in a very
visual and dynamic blues/rock trio, 'Black Book', and we had a 'Live' band CD out.
John West
is a stunning singer who brought his extraordinary range, muscular vocal power and great
vibrato to the rock songs in the first collection while also showing great feeling and
sensitivity on the R&B flavored songs and the ballads. This was especially evident in
his ability to build to dramatic and breathtaking endings on songs like "Victim Of
The Plan", "I'm A Lucky Man", and "Dark Star". John's voice has
been heard with groups like 'Badlands', 'The Cozy Powell Group', 'Saints And
Sinners'(the original 'Whitesnake' band), and on several tours with the guitar
instrumentalist Michael Lee Firkins. He has recorded several CD's with the group
'Artension', and three personal CD's, all on Mike Varney's Shrapnel Records label and is
currently recording and touring in Europe and Japan with the EuroMetal band 'Royal Hunt'.
Locally, John sang and played guitar with one of the best gut level, no frills rock &
roll bands in the area, 'Dirty Joke'.
The
guitarists on the first CD, Demian Meng and Marvin Allen,
brought great tone and power to the songs. They didn't just play riffs, they
'made statements' with great note selection and feeling in their leads.
Notice the very dramatic solo work from Demian on the song "Storms of
Madness", and the equally fiery lead from Marvin on "Dark Star". Their
playing brings large amounts of six string horsepower to the songs, and
contributes heavily to the guitar driven sound of the music. They both have
had recording projects of their own on the market and have played on many
other sessions as well. Marvin was the driving force in a great local rock &
roll and funk band, 'Earthbound' along with his lovely wife, Marcie, and has
continued to write and play for many other projects.
Demian
is also featured on 12 of the 16 cuts on the second album "Ride On", and has
become a valued contributor to the 'Rider' sound. We have worked together on
22 songs and
counting and his playing has become better with each new track. Notice the lead work on
"Taste Of Candy", especially the outro and release to the 3rd verse. This song
is my personal favorite. Also, while his solo on "Back To My Heartbreak Kid" is
equally strong just listen to the rhythm guitar work, that'll turn your head around.
Listen, also, to the finger picked acoustic rhythm guitar work on "I Just Can't Be
Free", very Fleetwood Mac-ish. Demian is also a very good singer and song writer and has two
great albums of his own.
The
drums and keyboards on the first album were handled by Kevin
Sanderson and Doug Colosio, both of whom were part of
the road band for the very popular north state country act, 'The Marcy Brothers'. Kevin,
as a powerhouse drummer with a great right foot, (notice his work on "Dark
Star", and "Jonnie The Foxx"), and rock solid timing, also played for
several years with the local fusion band 'After Dark'.
Doug Colosio, in addition to playing all
keyboards, (standout tracks include "Moonlight Fantasy", and "You Were A
Friend Of Mine"), scoring and singing backup harmonies, was also the recording
engineer and co-producer of the first CD. His considerable engineering talent is
responsible for the punch and great sonic quality of the music and, justifiably, earned
him the album credit nickname 'Great Ears'. His work on the CD also earned him praise from
Greg King, the chief mastering engineer at the time for Disc Maker. Doug currently is the keyboard
player for Merle Haggard and is also a great writer, co-writing the title
track, 'Haggard, Like Never Before' and 'Lonesome Day' on Merle's current
album. In addition to his writing and playing he was recently (12/4/03) the
subject of a feature article in the 'DATE' section of Redding's Record
Searchlight newspaper. I have been fortunate to have him play recently on
two more of my songs, "The Man I Want To Be' where he contributed a
great rock organ to the track and a featured keyboard part in the song,
'Look Into My Eyes'.
Also
appearing on the first album, singing an amazing guest vocal at the end of the song
"Two Train's Runnin'", is Marcie Green. If her
scream at the start of that part of the song doesn't raise the hair on the back of your neck, you're
dead! In addition she adds her beautiful voice to several other songs singing great
backing harmonies. It took me awhile, but for the second album I was finally able to write
a song for her to sing worthy of her talent. She contributes an incredible vocal
performance on "Back To My Heartbreak Kid", really conveying the story in the
lyrics with great emotion, check it out. Since this song was recorded, Marcie Green has
become Mrs. Marcie Allen, marrying Marvin Allen in beautiful Whitmore, Calif. in June of
2001.
David
Callanta and I have worked together,
almost continuously, in three different acts over the last 12 years. We started out with
the formation of a blues based band called 'Helynnback' which evolved into the
kick ass, hard edged blues rock trio, 'Black Book', known for No Dinner Sets, No
Barry Manilow Medley, And No Background Music For Polite Conversation, and
had a 'live' band CD out called, 'Any Questions?!!',
and we meant it. David, Dennis Cadigan
(profiled below) and I played all over the Northern Calif. area and developed a
large and loyal following over the years. We were embraced by the local
'biker' clubs and were known as one of the premier 'Biker Bands' in the area and
proud of it. I have always really liked David's playing as there is
something in it that has always moved me. I have watched him learn several
styles over the years from the blues of Tommy Castro to the blues
rock of ZZ Top to the jazzy blues of Robben Ford and then incorporate
these influences into his own personal playing library. In this area and I
suspect other areas as welI, there are many great players who are only
good for the middle of a song. David's value in addition to his playing skill is
his work ethic, he actually learns the complete song. Because of this I knew
that there could be no other guitar player to play on 'Rock&Blues...The
Rules' when I recorded it and no one else to play guitar for me when 'Rider'
opened for Ted Nugent (check out pictures of David on the Nugent Pictures page) and I
was not wrong.
We played together again Sept
18th, 04 when 'Rider' opened for REO Speedwagan at the Events Center at
Win-River Casino in Redding, Ca. (see REO Pictures page). While
we are not currently playing together on a regular basis, (I've Got To Change
That!!) since
David and his lovely wife (and our band mom) Elizabeth are living in the bay
area, we try to get together on a more selective basis as our busy schedules permit and more recording is
needed or touring name rock bands need a good opening act. David and Elizabeth are not just bandmates
but really good and lasting personal friends and I love them both.
I
also feel very fortunate to have Dennis 'Cadillac' Cadigan
as the drummer on 13 of the songs on my second album and 7 songs and
counting on the new CD, 'Any Questions?!!'. The nickname refers to the groove he
generates that's as wide and comfortable as a Cadillac. Dennis is also the drummer I've
worked with for many years in the group 'Black Book' and he brings extraordinary timing
and feel to my tunes. I personally like a relatively simple kick and snare to get more
impact and he gives me that, 'in spades', and then adds these incredible high hat fills.
Notice his handy work on "Taste Of Candy" and "It's Not Over". Also
notice his 2 tom breaks on "Flame In The Night". Other things that stand out in
my mind about Dennis' drumming is his ability to hold tempo, especially live.
I know that I have a tendency to push the beat and Dennis has the ability to
gently hold
me in check without getting in my way and for that I thank him. I've got tracks that
vary in tempo only 1 to 2 BPM over the entire 6 1/2 minutes of the song and if you think that's
easy, try it sometime. Another standout is his ability to add live drums to a pre-recorded
song with a drum machine on it. He not only has to play creatively but he has to follow a
pre-recorded arrangement. Check out his work on "Midnight Flight". He has done
this on many other tracks and I'll bet you can't tell which ones they are, they're so
seamless. This is why Dennis is another important part of the 'Rider' sound
and why I personally wanted him drumming for me when we opened for Ted
Nugent (see Nugent Pictures page) & REO Speedwagon (see REO Pictures page).
While
I usually play bass guitar on my tracks, when I wrote a song called "Eyes Of Smoke And
Fire", I felt that a good friend and a stunning bass player, Phil
Rowe, would be a better choice for this funk style of playing and I was not wrong. He's an
extraordinary slap and pop player with great timing and very creative ideas and he
contributed several great fills
and accents to this track. He is easily one of the standout players on the song and is in heavy demand
locally for his phenomenal technical ability over many styles of music. I
was also very fortunate to get him as the bass player when 'Rider' opened for
Ted Nugent. As I like to say, Phil is the 'Muscle And Blood' of the songs he's
part of with all the power he generates with his playing and he's who I want
behind me kicking me in the ass when I'm doing my songs live. What a rush!!
Dan
Frost is a truly unique guitar player with an incredible
ability to bring very interesting playing to a difficult song, 'It's Not
Over'. He was given no space for a true solo and had to fit his playing
into and around the singing and a spoken part and did a stunning job of
it. I have also had the pleasure of having him play lead, both acoustic
and electric, for me in several shows that I have done, most recently when
we opened as an acoustic duo for 'Lydia Pence&Cold Blood' for Shasta
Lake City Celebration 2007.
Two
of the songs written for the second album, "I Just Can't Be Free", and "She
Left Her Memory", seemed to work very well in the country field and for that reason I
brought in two people who have spent most of their lives singing and playing country
music. Dave Laam and Teddy Fox
are two guys who are not only authentic country musicians but are extremely good at what
they do. As guitar players they know most of the styles that are part of the country
sound, from 'chicken pickin', to pedal steel licks, to slide, to blindingly fast single
note leads. As singers, there is no question as to their country roots. They know the
feel, the phrasing and the emotion of country music and how to convey it to the listeners.
I feel extremely lucky to have these two very talented gentlemen singing and playing on
the songs that I have written. As of 6/15/03 Dave has also added his voice
and guitar playing to a song that will appear on the upcoming CD,
'Rock&Blues...The Rules'. That song is a country version of the title
song called 'Country Blues...The Rules'. Check it out on the Music page.
Grant
Rudolph was not on the original CD
version of 'Ride On', but,
I had the good fortune to get him to play keyboards for me when Rider
opened for 'REO Speedwagon' at Win-River Casino. We played some songs for
that show that didn't have keyboards in them so he had to create his own
parts. One of the songs was 'Your Memory Just Won't Set Me Free' and he
created a clavinet part that just blew me away. I knew that I had to
re-record that song and get his keyboard part in it and also give him a
lead solo spot. I think that his playing made a huge difference in the
energy of that song and inspired me to change the melody in certain places
to go along with that energy. I will certainly be using his keyboard
skills in future songs.
I used one other drummer on the second album and his name is
Ralph Phipps.
Ralph came in as a pitch hitter on short notice when I needed to complete the song "Race With The Devil" for a special event. He is a well respected blues, jazz and rock player locally with great timing and impact and I was lucky to get him for this song.
When
I opened for Ted Nugent I needed a keyboard player to round out the band and
I was very lucky to be able to get the services of Bill
King, a very talented player and singer. Bill has
been playing in a band with Phil Rowe (profiled earlier) so it was a natural
choice. Bill in addition to amazing ability on the keyboard is also a very
talented singer in his own right and is noted for his Elton John chops both
instrumentally and vocally. While I have not had an opportunity to have Bill
record for me yet, I plan to remedy that just as soon as possible.
I also wish to acknowledge the tremendous
and valued contribution to the 'Rider' sound and look
made by Kevin Palm. While he has not played or
sung on any of
the songs his talent on the computer is as strong as any of the musicians or
singers. He is my computer guru and without his expertise my music and the 'Ride On'
and 'Any Questions?!!' CDs
would not be possible. His talent at sound mastering and graphics is immediately
evident when you hear the music and see the CD packaging. For anyone interested in help
with recording, music mastering, packaging, graphics or computer setups
and tutoring, Kevin can be reached at
(530) 243-8861 or kevin@kevinpalm.com. Thanks
Kevin.
And,
of course, who can fail to notice the amazing and rhythmic conga work on "Stole Her
From A Fool" by Redding's own percussion legend, Ricardo
Festiva.
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